Gero Cross

Date: 969–76
Location or Findspot (Modern-Day Country): Germany
Medium: Wood
Dimensions: Height of 1.88 m
Description: This painted oak depiction of Christ on the cross is an early example of this type of life-size crucifixion sculpture (only the Volto Santo in Lucca predates it). In the Byzantine world, three-dimensional religious imagery had been condemned at the Second Council of Nicaea (787), and so there was no tradition of depicting Christ in the round. The so-called Gero Cross (or Gero Crucifix) was commissioned by Archbishop Gero of Cologne (r. 969–76). Like later sculpted crucifixes designed for church interiors, it has a compartment for a relic. It is notable not only for its early date but also for its depiction of a slumped, dead Christ on the cross rather than Christ gazing forward triumphantly or down at the Virgin. This choice emphasizes Christ's humanity and vulnerability, in keeping with a renewed tenth-century interest in Christ's death and its role in salvation. Although the outer layer of paint was added in the early twentieth century, x-ray technology has confirmed that the eyes on the original tenth-century sculpture were also closed.
Relevant Textbook Chapter(s): 6
Image Credits: Wikimedia Commons

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Gero Cross, Christ with eyes closed Gero Cross, Christ's feet